In his previous books, Oliver Sacks had addressed questions of the brain and mind through the lens of case histories of individuals with neurological disorders. Recently, however, he had been reflecting on his experiences with such patients in the context of a lifetime of medical practice, and in light of recent neuroscientific evidence and theories. The River of Consciousness ...(展开全部)

◎著者 奥利弗・萨克斯，1933年出生于英国伦敦，2015年病逝于纽约。医学博士，英国皇家内科医师学会会员（FRCP），曾经是纽约大学医学院的神经内科学教授，被《纽约时报》誉为“医学界的桂冠诗人”。他仔细收集过多种神经系统异常案例，以丰富的临床经验为基础，著有《错把妻子当 帽子》《脑袋里装了2000出歌剧的人》《火星上的人类学家》等畅销书籍。其中，描述了20世纪初嗜睡性脑炎患者的《苏醒》一书启发了电影《无语问苍天》，该片曾获奥斯卡最佳影片提名。萨克斯博士曾长期为《纽约客》和《纽约书评》撰稿。 ◎译者 陈晓菲，人类学硕士，文学和精神分析爱好者。

The River of Consciousness is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human. (From Amazon)

The River of Consciousness is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human. (From Amazon)

In his previous books, Oliver Sacks had addressed questions of the brain and mind through the lens of case histories of individuals with neurological disorders. Recently, however, he had been reflecting on his experiences with such patients in the context of a lifetime of medical practice, and in light of recent neuroscientific evidence and theories. The River of Consciousness ...(展开全部)

◎著者 奥利弗・萨克斯，1933年出生于英国伦敦，2015年病逝于纽约。医学博士，英国皇家内科医师学会会员（FRCP），曾经是纽约大学医学院的神经内科学教授，被《纽约时报》誉为“医学界的桂冠诗人”。他仔细收集过多种神经系统异常案例，以丰富的临床经验为基础，著有《错把妻子当 帽子》《脑袋里装了2000出歌剧的人》《火星上的人类学家》等畅销书籍。其中，描述了20世纪初嗜睡性脑炎患者的《苏醒》一书启发了电影《无语问苍天》，该片曾获奥斯卡最佳影片提名。萨克斯博士曾长期为《纽约客》和《纽约书评》撰稿。 ◎译者 陈晓菲，人类学硕士，文学和精神分析爱好者。

"The Emperor's Tomb" is a nostalgic, haunting elegy for the end of youth and the last days of the Austro-Hungarian Empire. A continuation of the saga of the von Trotta family from The Radetzky March, it is both a powerful and moving look at a decaying society and its journey through the War and its devastating aftermath, and the story of the erosion of one man's desperate faith...(展开全部)

The Emperor’s Tomb – the last novel Joseph Roth wrote – is a haunting elegy to the vanished world of the Austro-Hungarian Empire, and a magically evocative paean to the passing of time and the loss of hope. The Emperor’s Tomb runs from 1913 to 1938, from the eve of one world war to the eve of the next, from disaster to disaster. Striped with beauty and written in short propulsi...(展开全部)

约瑟夫•罗特（Joseph Roth，1894—1939）是与卡夫卡、穆齐尔齐名的著名德语作家，堪称作家中的作家，深受多位文学名家推崇。罗特出生于奥匈帝国东部边境的犹太家庭，曾参加第一次世界大战，战后作为记者为维也纳不同报社写稿，成为二三十年代德语世界的明星记者，曾就职于《法兰克福报》。罗特不到三十岁时开始发表文学作品，至四十五岁英年早逝时已出版小说数十部，其中篇、长篇和短篇小说均出手不凡，成为那个时代具有代表性的最优秀的德语作家之一。罗特较为人所知的小说有《拉德茨基进行曲》《先王冢》《皇帝的胸像》《百日》《无尽的逃亡》《约伯记》《塔拉巴斯》《沉默的先知》等，均以精湛的叙事技巧、独特的语言风格、深邃广阔的人文思想受到广泛关注。其代表作《拉德茨基进行曲》更是现代德语文学中关于“哈布斯堡神话”的标志性作品，是两次世界大战之间写成的最优秀的长篇小说之一，收...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。